CUTS THAT
HOLD ATTENTION
2+ years behind the timeline — editing, colour grading and animating stories in motion. Not just video: reels, brand films and 3D‑flavoured motion design, built frame by frame.
I'm Harsh — a video editor and motion designer who treats every timeline like a build, not just a trim. Two-plus years in, I've moved past cutting clips together and into grading, sound design, and motion — shaping raw footage into something that feels intentional from the first frame.
I create more than videos: product-style reveals, real estate walkthroughs, vertical reels built for retention, and Apple-inspired motion pieces where the animation itself is the story. Every project gets its own pace, colour and rhythm — nothing templated, nothing rushed.
The Showreel
A mix of reels, brand motion and raw edits — tap any card to play with sound.
What clients say
Cards drift upward on their own — move your cursor over them and the whole wall tilts with you.
Sent raw property footage and got back a walkthrough that felt like a home tour, not a phone recording.
Sent drafts early, took feedback without pushback, and the colour grade made our footage look expensive.
Sent raw property footage and got back a walkthrough that felt like a home tour, not a phone recording.
Sent drafts early, took feedback without pushback, and the colour grade made our footage look expensive.
The reels he cut for our page had way better retention than what we posted before, without me explaining pacing twice.
Handed over four hours of raw event footage, got back a two-minute highlight reel that actually told a story.
The reels he cut for our page had way better retention than what we posted before, without me explaining pacing twice.
Handed over four hours of raw event footage, got back a two-minute highlight reel that actually told a story.
Asked for something close to an Apple-style product video and he delivered — clean motion, good timing, nothing overdone.
Fast replies, understood the brief on the first call, and delivered the vertical cuts a day ahead of schedule.
Asked for something close to an Apple-style product video and he delivered — clean motion, good timing, nothing overdone.
Fast replies, understood the brief on the first call, and delivered the vertical cuts a day ahead of schedule.
Good eye for sound design — the background score and cuts landed exactly on beat without me asking.
He turned a shaky handheld shoot into something that looked properly graded and stabilised. Big improvement.
Good eye for sound design — the background score and cuts landed exactly on beat without me asking.
He turned a shaky handheld shoot into something that looked properly graded and stabilised. Big improvement.
Cut. Grade. Deliver.
Three passes, in this order, every time — like a three-way colour wheel.
Cut
Structure first — pacing, story beats and the edit's rhythm, locked before anything looks pretty.
Grade
Colour, sound design and motion layered in — this is where the mood actually shows up.
Deliver
Exported for the platform it's built for — vertical, square or widescreen, ready to post.